Penderecki's Garden 49°51'28.7"N 20°49'38.1"E 49°51'28.7"N 20°49'38.1"E Home

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  • Anne-Sophie Mutter
  • Arto Noras
  • Szymon Nehring
  • Anne-Sophie Mutter
  • Cognac from Mrs Solecka
  • Arto Noras
  • A Malczewski at the Price of a Wardrobe
  • Drafting New Music on the Beach
  • A Journey to Italy
  • A Spontaneous Agnus Dei
  • Chagall, Picasso, or Dalí?
  • Szymon Nehring
  • The Elopement of Stefania Szylkiewicz
  • All of Bergers’ Trees
  • Winnetou’s Adventures in German
  • All of Malczewski Landscapes

The Park.02

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  • Stabat Mater
  • The Avant-Garde on the Danube
  • Three Pieces in Old Style: Aria
  • St. Luke Passion: Miserere
  • Kubrick’s Hot Theme
  • Violin Concerto No. 1
  • A Symphony for Trees
  • Polish Requiem: Agnus Dei
  • Polish and American Horrors
  • Viola Concerto
  • Song of Cherubim
  • Infidels in Lusławice
  • Sinfonietta No. 2
  • Composing the Garden
  • Seven Gates of Jerusalem: De profundis
  • Symphony No.8 ‘Songs of Transience’
  • The Symphony as an Ark
  • Kaczka pstra (The Speckled Duck)
  • In Pyjamas to the Park
  • Horn Concerto ‘Winterreise’
  • Threnody to the Victims of Hiroshima
  • Anaklasis
  • Capriccio
  • Cello Concerto No. 1
  • Symphony No. 3: 4th movement (Passacaglia)
  • Paradise Lost: Adagietto
  • I Sinfonietta
  • Ciaccona in memoriam Giovanni Paolo II
  • A Sea of Dreams Did Breathe on Me... Songs of Reflection and Nostalgia
  • Rostropovich’s kisses and champagne
  • Poems and Chopin
  • Horns and sauerkraut
  • Brain waves and sound waves
  • The haunting motif of the Adagietto
  • The fallible Pope
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  • String Quartet No. 3 ‘Leaves of an unwritten diary’

The Labirynth.05

Visit one of Europe’s largest garden labyrinths and discover the music that has been concealed inside it! Penderecki planted 15000 hornbeams in accordance with a medieval design once found on a reproduction in an old book. To learn the labyrinth’s history, find four fragments of Penderecki’s work. Use the keyboard and the mouse to move around the site.

Amazing!
Please, find another spot!

Bravo! You’ve discovered all the pieces of music.
Read about the history of the labyrinth and its significance to the Maestro’s output.

Read moremore about the Labirynth

The Studio.6

What does Krzysztof Penderecki’s music sound like in his own park and garden?

    Read more

    The Garden of Memory.07

    • Hania Rani
      - Read more
    • Janusz Marynowski
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    • Maciej Tworek
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    • About looking for silence in birdsongs at Lusławice Park.
      00:0002:31
      - Read more
    • A Pyre Burning in Front of the Opera House. Condolences from the Managers of Poznań’s Grand Theatre
      - Read more
    • Marcin Zdunik
      - Read more
    • About the composer’s favourite mazes and oak-tree avenues planted to honour his granddaughter, Maria.
      00:0003:14
      - Read more
    • I Watched Penderecki Make Sketches. A Cellist’s Memory of a Certain Flight
      - Read more
    • Janusz Wawrowski
      - Read more
    • His first musical memory, that of a brass band.
      00:0002:45
      - Read more
    • "Quietus" journalist remembers late Penderecki
      - Read more
    • A collaboration of giants that never took place.
      00:0004:48
      - Read more
    • Katarzyna Budnik-Gałązka
      - Read more
    • On door-opening and memorable premieres.
      00:0002:10
      - Read more
    • How he won a passport in a competition for composers and went on a journey of initiation.
      00:0003:15
      - Read more
    • Vodka and Tomato Soup. Condolences from a Friend of the Pendereckis.
      - Read more
    • On growing roots, designing gardens, and places where cats sleep on the stove.
      00:0005:23
      - Read more
    • On the variable outer garment of music, copying masters, and having fun while composing.
      00:0003:54
      - Read more
    • "Hollywood Reporter" lists the most outstanding films with the Master's music
      - Read more
    • How a gift from his first girlfriend changed the composer’s life.
      00:0001:49
      - Read more
    • Jeajoon Ryu
      - Read more
    • About the hidden dilemma of each contemporary artist, and Penderecki’s choice.
      00:0006:26
      - Read more
    • "Rolling Stone" recalls John Greenwood's memories
      - Read more
    • On the short but roundabout way from Fluorescences to Stabat Mater.
      00:0002:10
      - Read more
    • The Maestro at the Philharmonic’s Construction Site. Jerusalem in Szczecin and a Fanfare for the New Venue.
      - Read more
    • How Kosmogonia was born out of a text collage.
      00:0001:49
      - Read more
    • "Guardian" recalls the beginning of Krzysztof Penderecki's fame
      - Read more
    • On the hard choice of poems for the cycle Songs of Reflection and Nostalgia.
      00:0005:43
      - Read more
    • Song of Solomon in a Tiny Flat. Penderecki’s Music in the Eyes of a Rock Drummer.
      - Read more
    • Elżbieta Penderecka on celebrating her husband’s jubilee and wedding anniversary.
      00:0005:06
      - Read more
    • On the completion of A Polish Requiem and meeting the Polish Pope.
      00:0007:37
      - Read more
    • Excerpt from the "New York Times" obituary about Penderecki's two eras
      - Read more
    • About his cousin Tadeusz Kantor and the family’s complex ethnic origins.
      00:0002:10
      - Read more

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    Penderecki’s cantata-style tribute to Jerusalem for the 3000th anniversary of the city’s foundation.

    Symphony No. 7 ‘Seven Gates of Jerusalem’: De profundis
    00:00 00:04:43
    for three mixed choirs (1996)
    Polish Chamber Choir
    Jan Łukaszewski, conductor
    DUX 0694 (2010)

    For this section of Symphony No. 8, the composer drew on his two earlier works: Psalms of David (one of his earliest mature pieces, 1958) and Stabat Mater (1962). Likes these two, De profundis also applies three four-part choirs and the principles of Renaissance counterpoint. “Out of the depths have I cried unto thee, O Lord,” are the words we hear directly after the soprano’s confession of the faith and fidelity to the Holy City (in the previous section of Seven Gates). The exclusively vocal music brings a calming down after the dense symphonic sound, and ensures katharsis to the listener.

    Read more about master's oevre in Musical salon

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